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The obituary notice of COLIN MELBOURNE

National | Published: Online.

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COLIN MELBOURNESculptor Colin Melbourne, who created the statue of Sir Stanley Matthews in Hanley and the Steelman outside the Potteries Museum and Art Gallery, died at the age of 80 on 5 August, 2009.Originally trained as a modeller at Burslem School of Art, Mr Melbourne went on to become the Dean of the Faculty of Art and Design at North Staffordshire Polytechnic, and an influential figure in art education nationally.Driven by the belief that art had a role to play in ordinary people's lives, he showed through his own work how art could be relevant and make a difference in the real world.Professor Flavia Swann, who worked under Mr Melbourne at North Staffordshire Polytechnic in the 1970s, said: "A lot of people at the polytechnic were from an engineering background and thought that art was a waste of time, that it didn't get people jobs. But Colin was very good at explaining the contribution art and design could make to society."That contribution is probably best exemplified by the Fighting Steelman statue, which Mr Melbourne designed in 1974 to support the failed campaign to save the Shelton Bar steelworks from closure.Ted Smith, chairman of the Shelton Bar Action Committee, reportedly told him that it wanted "summat that looks like summat, and we dunna want a nude bloke".Prof Swann, aged 65, of Foxglove Lane, Clayton, added: "Colin produced miniature versions of the statue, and they were so popular that other unions asked him to produce some for them as well."In 1987, his statue of Sir Stanley Matthews was unveiled by the Wizard of Dribble himself in Parliament Row, Hanley.Other famous North Staffordshire figures immortalised by Mr Melbourne include Sir Henry Doulton and James Brindley.Born in Hatrell Street, Newcastle-under-Lyme in 1928, he studied at Burslem School of Art before gaining employment as an assistant modeller at Wedgwood.He then won a scholarship to the Royal College of Art and after graduating worked with Wade, Beswick and the Marquess of Queensbury.In the 1960s he became a teacher at Stoke-on-Trent College of Art, and after it became part of North Staffordshire Polytechnic he was made head of the Faculty of Art and Design.He also became a member of the committee for art and design at the Council for National Academic Awards, which accredited degree courses around the country.Jim Rushton, who studied with Mr Melbourne at Burslem School of Art and went on to teach with him at the polytechnic, said: "He was a very gifted man, and he did get into arguments as he had very strong views on most things. But his redeeming feature was his sense of humour. He was always laughing."Mr Melbourne retired from the polytechnic in 1980 due to health problems, but a few years later he was back teaching at the Sir Henry Doulton School of Sculpture in Longton, which he helped found.The school helped launch the careers of a number of successful artists, such as David Goode and Denise Dutton.In his latter years, he devoted most of his time to painting, and his work was shown around North Staffordshire.Mr Melbourne is understood to have died of natural causes at his home in Clayton, where he lived with wife Marcia.They did not have any children, and his only known blood relative left in the area is his cousin Brenda Ford.The 72-year-old, of Appleton Drive, Whitmore, said: "Colin was a really kind man, and he was great with young people. I've just read a nice letter from one of his former pupils. He always had time for everybody as well.
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Published: 14/08/2009
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Tribute photo for Colin Melbourne
Colin Melbourne
funeral-notices.co.uk
29/01/2014
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Tribute photo for Colin Melbourne
We were all sculpture students at Sir Henry Doulton School of Sculpture in Fenton and we owe a lot t
Charles Skilton
29/01/2014
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My first encounter with Colin Melbourne was in the 1960s while I was a student at Burslem College of Art. At that time he was Head of Fine Art and struck me then as a man with a special kind of insight, an acute understanding as to the needs of those students like myself trying to develop their chosen practice in art. He was always kind and patient, ready to listen, would give you his time and allow you to believe in yourself. I have always valued his advice and encouragement, his insight, benevolence and sometimes his good natured rhetoric, the cheeky smile and his amusement at a given moment in a situation. Colin Melbourne was a robust individual, a unique character, one that enabled others to also discover vision and ambition. The light was in his eyes and that spark I will always remember. Thank you Colin Melbourne for all you gave. With all my respects, Paul Astbury.

Paul Astbury
16/08/2009
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I have great memories of Colin, he was a kind, sensitive and generous man and at times he seemed rather fierce and frightening to a us students, but when he was explaining the finer points or techniques of sculpting there was nobody quite like him.He helped me a lot in modelling, casting, drawing or just talking about the nature of art.Colin liked to disperse his wisdom over a glass of wine, and many a merry afternoon became a late evening as debates continued with students enjoying the company as well as the wine.
This is not to say that this detracted from the work in hand, as indeed a lot of us remember the wrath of Colin when he discovered the sculptor students still in the Pub after 2pm ( we were celebrating a students birthday) when we were supposed to be back at the sculpture school working on our projects.
He was a great teacher and introduced me to a much richer and fulfilling life. I know Colin has a long history in art and I know he loved people, he will be missed. Colin now you can share your wine with those other great Artist who went before.

Charles Skilton
16/08/2009
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In the new Faculty of Art & Design that was established in the Polytechnic, Colin was an astute Dean who made the value of and art and design education relevant in the technologically dominated disciplines in the Poly. As the new Head of Graphic Design under Colin, I learned so much from this man who seemed to have an instinctive understanding of educational politics in Higher Education. He liked to play the provincial boy in a smarter world, but he was smarter than most of the other players.
I swopped some Labour Party posters of the 1920s for his plaster cast of the Rosetta Stone, which I still have on my wall in Australia. While a student at RCA, Colin was told "you need some more practise at casting, go down to the BM and see what they've got for you". They gave him the Rosetta Stone! He was happy to make the swop with me, it was the time he sculptured the Fighting Steel Man and he was in to Labour issues. And I am very happy to have this full size replica of the Rosetta Stone, I think of Colin every time I look at it.

Cal Swann
15/08/2009
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